STAND UP AND CLOWN

Zach Zucker Returns - Part One

Episode Summary

Check out the episode notes for links to classes and shows!

Episode Notes

STAND UP AND CLOWN is back on FRIDAY, October 30th at 10:30pm for a special late night Halloween Spooktacular! It’s the one time a year in LA the show doesn’t happen on a Monday night – and will be full of scary clown fun.

PLUS: An amazing cast, featuring Alex Edelman (The Paper), Aaron Branch (Dysfunctional Friends), Demi Adejuyigbe (Dropout TV) and many more!

GET YOUR TICKETS HERE!

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Check out his LINKTREE for classes and shows!

Chad is starting a series of interviews – first up, his longtime friend and collaborator Zach Zucker! Zach plays Jack Tucker, the down-on-his-luck host of the international variety show Stamptown. He also runs the promotion – with longtime friends Dylan Woodley and Jonny Woolley. Chad and Zach met as improvisers nearly 15 years ago and followed parallel paths into clown… despite Zach being 20 years younger.

The duo discusses a lot about their clown personas and approach to the work – especially when it comes to the games that happen off-stage to keep audiences engaged. They also address some controversies from earlier this year – where Zach was quoted in a LA Times video and a New York Magazine article being critical of LA Clown. 

SHOWS, CLASSES AND MORE!

The Clown Boss is having his final busy season before taking a holiday break – with a bunch of performances taking place in LA. Besides STAND UP AND CLOWN, he has two free jams (THE DROP and CLOWN BOSS), a new WIP with Ithamar Enriquez (INSIDE VOICES - A SILENT SHOW) and MAULED NIGHT - a UCB mainstage show that is a clown tribute to improv, sketch and character.

ALSO - if you’re in Columbus, Cleveland or Pittsburgh, he’s headed your way in about a month! Check out his LINKTREE for more details!

MORE ABOUT THE CLOWN BOSS!

“The Father of Modern Clown in LA” - NPR

CLOWN BOSS Chad Damiani is one of the architects of the contemporary clown scene in LA – a fearless exploration of joy, mischief, absurdity and audience interaction that embraces the spirit of clown work, without being limited to traditional conventions.